Alberte Fujia Fyhn Liboriussen, Amanda Kessaris, Birthe Dabelstein, Eyð Matras, Gitte Dahlgren Korr, Katja Nørgård Nielsen, Mona Stokbæk, Ole Overgaard Rasmussen, Rikke Nørgaard Zachariasen, Stine Møller Hansen, Vanda Zwick.

We show art by 10-12 artists the second weekend in November.

We gather a group of people to explore how we create a city as soft as a body, inspired by a poem the Danish poet Inger Christensen once wrote in 1969: a society can be so stony that everything is a single block, and the heart is completely in shadow, and the heart is almost silent until someone starts to build, a city as soft as a body....

12.09.25—OPENING—Soft Assembly—Group Exhibition

The work Home.png was purchased by the Silkeborg Bad Art Center in June 2025. The work can be experienced as a permanent part of their sculpture park.

Home.png is a sculpture shaped like a playhouse, covered with white and light grey tiles, imitating the appearance of a PNG file – the pattern we see on the screen when an image has no background, or something in the image has been removed. The work functions as a meeting between the digital and the analogue and creates a space...

In the exhibition Hjemmesteder (Home Places), Amanda Kessaris (DK/USA, 2001) explores home and identity as fluid concepts. She uses a perishable medium called anthotype – a slow photographic process in which she develops images with homemade plant-based emulsions over several months. Through this process, she brings to life both her own memories...

Photo Gallery

Meta.Morf 2024 - [up] Loaded Bodies
The second artist out of six to exhibit in the group exhibition "Cyber Fluids" is Amanda Kessaris she/her
Amanda Kessaris (2001) is a Danish/American multidisciplinary artist who uses her pieces as outlets to investigate gender roles, identity, and her experience of being a girl and woman within different cultures...

When exploring the many buildings and rooms that make up "Børglum Kollegiet", one cannot avoid stumbling upon - or being inside - site-specific artworks that both relate to and create the place. With my decoration, I want to work site-specifically, just like the artists who have made works at the dormitory before me - but instead of relating...

My works explore the connection and transition between childhood and adolescence. In the cyanotype series 'I Miss Being Innocent' I use the sun to evoke the link between my childhood and where I am now as a young woman. 'Youth' addresses my experience of going through puberty in the US, where my body was seen and treated as sexual without...